Diferenças entre edições de "Ficheiro:Semjase letter2.jpg"

Fonte: Futuro Da Humanidade
(Semjase's letter to the group. From Plejadisch-plejarische Kontaktberichte, Block 1, page 263.Note: this image resulted from the joining of two photos of the KOntaktberichte and as such exhibits some distortion on the orientation of the lines.)
 
 
(Há uma edição intermédia do mesmo utilizador que não está a ser apresentada)
Linha 1: Linha 1:
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[[Category:Photos and Images - FIGU and Billy Meier]]
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[[Photo Gallery]] and [[FIGU]] see [[:Category:Photos and Images - FIGU and Billy Meier]]<br>
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[[Category:Photos and Images - FIGU Books]]
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[[Books]] see [[:Category:Photos and Images - FIGU Books]]<br>
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Semjase's letter to the group. From Plejadisch-plejarische Kontaktberichte, Block 1, page 263.Note: this image resulted from the joining of two photos of the KOntaktberichte and as such exhibits some distortion on the orientation of the lines.
 
Semjase's letter to the group. From Plejadisch-plejarische Kontaktberichte, Block 1, page 263.Note: this image resulted from the joining of two photos of the KOntaktberichte and as such exhibits some distortion on the orientation of the lines.

Edição atual desde as 14h57min de 15 de novembro de 2020

Photo Gallery and FIGU see Category:Photos and Images - FIGU and Billy Meier
Books see Category:Photos and Images - FIGU Books

Semjase's letter to the group. From Plejadisch-plejarische Kontaktberichte, Block 1, page 263.Note: this image resulted from the joining of two photos of the KOntaktberichte and as such exhibits some distortion on the orientation of the lines.

Histórico do ficheiro

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Data e horaMiniaturaDimensõesUtilizadorComentário
atual14h43min de 2 de janeiro de 2013Miniatura da versão das 14h43min de 2 de janeiro de 2013800 × 1 065 (124 kB)DavidG (discussão | contribs)Semjase's letter to the group. From Plejadisch-plejarische Kontaktberichte, Block 1, page 263.Note: this image resulted from the joining of two photos of the KOntaktberichte and as such exhibits some distortion on the orientation of the lines.

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